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Monday, February 24, 2020

Who is your favorite pianist?

In 2018, Classic FM published a list of the 25 greatest pianists of all time. In February of 2019, Classical-music.com published their list of the 20 greatest pianists of all time. Of course, there are quite a few of these lists and all the lists seem very different. I think I prefer the Classic FM list as it includes Liszt and Clara Schumann. However, those lists are simply interesting speculations, after all Liszt and Clara never made any recordings, how could anyone ever truly venture such opinions.

There are just as many opinions and articles about who should be on the list for the best living concert pianists. Here are some of my favorite pianists that are alive today.

CLASSICAL PIANISTS:

Lang Lang is a Chinese concert pianist currently living in New York City.  His performance style has been criticized as being flamboyant and he has also been described as the J.Lo of the piano. Lang Lang is one the most popular and accessible classical pianist of our time.

Martha Argerich is an Argentine pianist born in 1941. She avoids publicity, but is acknowledged as one of the great pianists of our time. Argerich has often remarked in interviews of feeling "lonely" on stage during solo performances. She is noted for her recordings of 20th century concerto works.

Daniel Barenboim was born in Argentine in 1942 from Jewish Russian parents. He is a citizen of Argentine, Israel, Palestine, and Spain and lives in Berlin.  Barenboim has rejected the current authentic performance movement and argues instead for finding the tempo of a piece from within the music. He is a noted interpreter of Beethoven and a world famous pianist and conductor.

Mitsuko Uchida is a Japanese born British pianist acclaimed for her Mozart recordings.  She is regarded as one of the finest contemporary pianists and has recently turned to conducting major orchestras.

Christoph Eschenbach is a German born pianist and conductor. He was orphaned during World War II. His mother died giving birth to him; his father, a politically active anti-Nazi, was sent to the Eastern front as part of a Nazi punishment battalion where he was killed. As a result of this trauma, Eschenbach did not speak for a year, until he was asked if he wanted to play music. He has made more than 80 recordings as a pianist, conductor, or both.

Katja and Marielle Labeque are French sisters who are a highly acclaimed piano duo.  True celebrity arrived for the sisters when their 1980 two-piano recording of Gershwin's Rhapsody in Blue sold over a half million copies. Beyond the traditional classical repertoire, their repertoire extends contemporary classical music, jazz, ragtime, flamenco, minimal music, baroque music on period instruments, and even pop music and experimental rock.

Zoltan Kocsis is a Hungarian pianist, conductor, arranger, and composer. He is known for his interpretation of Bela Bartok and won a grammy for his interpretation of Debussy's Images.

Vladimir Ashkenazy is a Russian born pianist and conductor, currently residing and a citizen of Iceland.  He is currently Principal Conductor and Artistic Advisor of the Sydney Symphony Orchestra. Ashkenazy is most famous for his interpretation of Russian and Romantic composers.

Aldo Ciccolini was born in Naples, Italy. His father, who bore the title of Marquis of Macerara, worked as a typographer. He began his performing career playing at the Teatro San Carlo at the age of 16. However, by 1946 he was reduced to playing in bars to support his family. He became a French citizen in 1969 and taught at the Conservatoire de Paris. Ciccolini is a celebrated interpreter and advocate of the piano music of the French composers Camille Saint-Saëns, Maurice Ravel, Claude Debussy and Erik Satie.

Nikolai Kapustin is a Ukrainian Russian pianist and composer. During the 1950s he acquired a reputation as a jazz pianist, arranger and composer. He is steeped, therefore, in both the traditions of classical virtuoso pianism and improvisational jazz. Kapustin regards himself as a composer rather than a jazz musician. He has said, "I was never a jazz musician. I never tried to be a real jazz pianist, but I had to do it because of the composing.

Jeno Jando is a Hungarian pianist and Professor of the Franz Liszt Academy of Music in Budapest, Hungary. Jandó enjoys being both a solo and accompanying artist. He is known for singing while playing, and to stop this, he puts an unlit cigarette in his mouth.

Alfred Brendel is an Austrian pianist, poet, artist, and author. He was born in the Czech republic to a non-musical family and had to dig trenches in Yugoslavia in WWII until he developed frostbite and was hospitalized. Brendel is regarded as one of the most thoughtful interpreters of classical Germanic works by such composers as Beethoven, Schubert and Mozart.

Evgeny Kissin is a Russian classical pianist famous for his interpretations of Liszt and the Romantic repertoire. He was a child prodigy who entered the Gnessin State Musical College at the age of six where he only ever had one music teacher.

Ingrid Fliter is an Argentinian pianist who now lives in New York and Europe.  She is known for her effortless technique and sensitive interpretations. She is one of the few concert pianists that will have music on the stand during her concerts.

Murray Perahia is an American composer and pianist. Perahia may have started playing the plano when he was just four but it wasn't until the age of 15 that, he says, he became seriously interested in music. In 1972 he became the first North American to win the Leeds Piano Competition. In 1992 a bone abnormality caused his hand to swell and forced him to take some time off from performing. It was during this time that he found solace in the music of J.S. Bach. His Bach recordings are regarded as some of the best ever made.

Andras Schiff is a Hungarian-born Austro-British classical pianist and conductor.  Schiff was born in Budapest into a Jewish family, the only child of two Holocaust survivors. He has received numerous major awards and honours, including the Grammy Award, Gramophone Award, Mozart Medal, and Royal Academy of Music Bach Prize, and was created a Knight Bachelor in the 2014 Queen's Birthday Honours for services to music. He is also known for his public criticism of political movements in Hungary and Austria.

Maurizio Pollini is an Italian pianist. He is known for performances of compositions by Chopin and Debussy as well as works by contemporary composers. His father was the architect Gino Pollini, one of the leading representatives of Italian rationalism and also an expert violinist. His mother, Renata Melotti, studied piano and singing and was the sister of the well-known sculptor Fausto Melotti, who had a lasting influence on the young Pollini.

Yuja Wang is a Chinese classical pianist known for wearing short skirts and backless dresses when performing. She has said: “For me, playing music is about transporting to another way of life, another way of being. An actress does that.” Yuja Wang lives in New York City.

Stephen Hough  is a British-born classical pianist, composer and writer. He became an Australian citizen in 2005 and thus has dual nationality. Named by The Economist as one of Twenty Living Polymaths, Hough was the first classical performer to be awarded a MacArthur Fellowship (2001) and was made a Commander of the Order of the British Empire (CBE) in the New Year’s Honours 2014.

Helene Grimaud  is a French classical pianist and the founder of the Wolf Conservation Center in South Salem, New York. Grimaud doesn't sound like most pianists: she is a rubato artist, a reinventor of phrasings, a taker of chances. "A wrong note that is played out of élan, you hear it differently than one that is played out of fear," she says. She admires the "more extreme players . . . people who wouldn't be afraid to play their conception to the end."

Daniil Trifonov is a Russian pianist and composer. Described by The Globe and Mail as "arguably today's leading classical virtuoso" and by The Times as "without question the most astounding pianist of our age". Trifonov was born in Nizhny Novgorod, Soviet Union on 5 March 1991, the only child of a composer father and a music teacher mother. He began studying the piano at the age of five, and gave his first solo concert at seven. When Trifonov was eight years old, he gave his first performance with an orchestra in a Mozart concerto, losing one of his baby teeth during the performance.

Mikhail Pletnev is a Russian concert pianist, conductor, and composer. Pletnev was born into a musical family in Arkhangelsk, then part of the Soviet Union. His father played and taught the bayan, and his mother was a pianist. Pletnev has acknowledged Sergei Rachmaninoff as a particularly notable influence on him as a musician.

Emmanuel Ax is a Grammy-winning American classical pianist. He is a teacher on the faculty of the Juilliard School. Ax was born to a Polish-Jewish family in Lviv, Ukraine, (in what was then the Soviet Union) to Joachim and Hellen Ax. Both parents were Nazi concentration camp survivors. Ax began to study piano at the age of six; his father was his first piano teacher. Ax has been the main duo recital partner of cellist Yo-Yo Ma since August 3, 1973.

Angela Hewitt  is a Canadian classical pianist. She is best known for her cycle of Bach recordings which she began in 1994 and finished in 2005—covering all of the major keyboard works of J.S. Bach.

JAZZ PIANISTS:

Chick Corea is an American jazz and fusion pianist, keyboardist, and composer. Growing up surrounded by jazz music, he was influenced at an early age by bebop. At eight Corea also took up drums, which would later influence his use of the piano as a percussion instrument.

George Winston is an American pianist born in Michigan. Winston dresses unassumingly for his shows, playing in stocking feet, stating that it quiets his "hard beat pounding" left foot. For years, the balding, bearded Winston would walk out on stage in a flannel shirt and jeans, and the audience would think he was a technician, coming to tune the 9-foot Steinways that are his piano of choice

Brad Mehldau is an American jazz pianist, composer, and arranger. His father, Craig Mehldau, was an ophthalmologist and his mother, Annette, was a homemaker. Meldau has said, "I love the part of the Orpheus myth where he is allowed to take his wife out of Hades on the condition that he doesn't look back at her for the trip on the river Styx. When he can't help himself, he looks back, and she is pulled back downstream away from him, taken away forever. Music is that moment right when he looks at her: seeing something that you love for an instant being taken away forever. There's an element of folly to the whole thing – you look even though you know you shouldn't. Music kind of yokes together the feeling of attainment and the feeling of loss at the same time."

Herbie Hancock is an American pianist, keyboardist, bandleader, composer and actor. Like many jazz pianists, Hancock started with a classical music education. He studied from age seven, and his talent was recognized early. Considered a child prodigy, he played the first movement of Mozart's Piano Concerto No. 26 in D Major, K. 537 (Coronation) at a young people's concert on February 5, 1952, with the Chicago Symphony Orchestra (led by CSO assistant conductor George Schick) at the age of 11.

Jon Batiste is an American musician, bandleader, and television personality. He has recorded and performed with artists in various genres of music (Stevie Wonder, Prince, Willie Nelson, Lenny Kravitz, Ed Sheeran, and Mavis Staples), released his own recordings, and performed in more than 40 countries. Batiste regularly tours with his band Stay Human, and appears with them nightly as bandleader and musical director on The Late Show with Stephen Colbert. Batiste also serves as the Music Director of The Atlantic and the Creative Director of the National Jazz Museum in Harlem.

Keith Jarrett is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.

Chick Corea is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.

McCoy Tyner is a jazz pianist from Philadelphia known for his work with the John Coltrane Quartet and a long solo career.

Ahmad Jamal is an American jazz pianist, composer, bandleader, and educator. For five decades, he has been one of the most successful small-group leaders in jazz.

Ramsey Lewis is an American jazz composer, pianist and radio personality. Ramsey Lewis was born in Chicago, Illinois, to Ramsey Lewis Sr. and Pauline Lewis. He began taking piano lessons at the age of four. Lewis has recorded over 80 albums and has received five gold records and three Grammy Awards.

Thursday, February 13, 2020

Digital or Acoustic Piano


Acoustic or Digital Piano?

digital piano is a modern electronic musical instrument, different from the electronic keyboard, and is designed to serve primarily as an alternative to a traditional piano, both in the way it feels to play and in the sound produced. The goal of the manufacturers is to provide an accurate simulation of a real piano.

Advantages to a digital piano include:
1. Price: a good quality digital piano is not cheap, but compared to a good quality acoustic piano, it is significantly less expensive and there is also a significant used digital piano market.
2. Ability to use headphones and practice quietly
3. Never needs tuning
4. Easier to move and place in the home
5. Built-in metronome
6. Ability to record
7. Various digital inputs and outputs, including being able to connect your phone or computer to the piano directly
8. Different available styles of keyboard sounds like organ, harpsichord, strings.
9. Electronic transposition so that you can play your song in one key and have it sound like a different key with the touch of a button
10. Easy to record one hand and then play along with the other hand
etc. etc.

I recommend playing the best available digital piano from all of the three leading brands: Kawai, Yamaha, and Roland to see which digital piano model would be best when you are looking to buy an instrument as the market is constantly being updated with new and better models. I have personally found that as you become a better pianist and musician, you will start to notice the limitations of the digital piano compared with the acoustic piano.  With time and design ingenuity, these differences will become smaller, but for now there are still significant differences between the best digital and acoustic pianos.

I practiced for many years on the best digital piano I could find while I was studying for my music examinations. Although I was able to "get by", I was also significantly impacted by not being able really hear how differences in my technique sounded on my practice instrument compared with a "real" acoustic piano. It was only after I purchased my own fine acoustic piano that I truly realized how handicapped I had previously been by my digital piano during my piano examinations.

An acoustic piano is a musical instrument played by means of a keyboard.  Pressing a key on the piano's keyboard causes a padded hammer to strike steel strings. The hammers rebound, and the strings continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a sounding board that more efficiently couples the acoustic energy to the air. When the key is released, a damper stops the string's vibration and the sound.

The advantages of a good acoustic piano start with the fact that it's the "real thing," inherently capable of nuances that are difficult for the digital piano to emulate. The experience of playing an acoustic piano — the harmonics, the vibrations, the touch, the pedals, the visual appeal, the interaction with the room, the connection with tradition — is so complex that digital pianos cannot really compare. When I finally purchased a good quality acoustic piano, I was amazed by how it impacted my technique. All of a sudden, I could hear lots of nuances in sound that weren't possible on my digital piano. Also, I was finally able to use a pedal properly to enhance the quality of sound.

Buyers of acoustic pianos do need to be careful. Not all acoustic pianos are created equal and there are plenty of new acoustic pianos on the market that I feel are actually inferior to a fine digital piano. So, it really helps to try out lots of different instruments so that you have some idea of what sort of sound, feel, and capability you require to like your piano. I purchased my used Steinway from Ben Klinger at Classic Pianos in Bellevue and I probably tried about 30 pianos in his showroom as well as 100s of grand pianos in various showrooms over many years. Interestingly, Ben wrote a short book about buying acoustic pianos called, Why We Play, which describes the value of personally connecting to a specific piano during the buying process. It certainly worked that way for me. Although I was just casually looking (and playing) various pianos in the showroom, I happened to sit down at one piano and instantly loved it like I had loved no other piano. It can happen that way sometimes if you are lucky.

I still use my digital piano, but mostly because it has headphones and I like to practice early in the day when people are still asleep. However, I love my acoustic piano. It is such a treat to open it up, sit down, hear the sound, feel the keys, use the pedal the way it was meant to be used. My digital piano still helps me learn, but my acoustic piano brings me joy.

Thursday, February 6, 2020

Using a Time Tracker App for recording your practice hours

I like to record my piano practice hours. Its a big motivator for me because I can see my actual time spent at the piano over weeks and months. Looking at my table of practice hours helps me feel guilty about not practicing enough and then I figure out ways to fit more practice time into a busy schedule. In the past, I  have typically practiced in one larger session instead of smaller sessions. Then, it was easy to enter my time into my computer because I also used my computer for reading my music during my practice.  Lately, I've been trying something a bit new where I am not giving up on my "bigger" sitdown practice session, but I'm also trying to add in some "walk-by" practice sessions. A "walk-by" practice session is a shorter practice session, maybe 15 minutes or so where you literally walk by the piano and work on some little idea, like practicing the start of a piece by memory, or working on just one little difficult part in a piece, etc. During my "walk-by" practice session, I haven't been using my computer (because of the setup time) and so this practice time hasn't been incorporated into my practice time table. That's a problem because I want to give myself credit for absolutely all my time spent practicing.
Consequently, I've been trying out various time tracking apps to see if any of them would work for this purpose. I wanted something free (I like free) and easy to use, but I also wanted to access the data, so I could incorporate it into my practice log on my computer. I have eventually settled on the Toggl time tracking app. Its easy enough to use and you can subdivide your project like "piano practice" into different tasks such as technical work, improvisation, piece practice, etc. (In fact, I'm currently considering whether or not to record my practice time on individual pieces to see how many practice hours it takes me to bring the piece to a performance standard.) I have found that all of these apps are somewhat kludgy because they are designed for tracking billable time for clients, but Toggl has worked well enough for my purposes. In fact, its great that I don't need the paid upgrade to get the client reporting feature.
The app sends me a weekly email report which I then copy and paste into my practice log. I now log only the weekly instead of daily practice, but it seems like a reasonable trade-off for more accurate time tracking. I also like being able to log into the website to see my weekly hours in their different charts. Its nice being able to view the data on my computer instead of just my phone, sometimes the phone is just a bit small. One other important feature with Toggl is that once I start a task, I can easily edit the start and stop times. I find that feature extremely useful because sometimes I start a task and then remember that I'm supposed to be tracking my time, so I then just edit the start time (and sometimes the end time) and voilà.
Once I started on this "time tracking" idea, I've added more projects like "piano teaching" and sub-category tasks like lesson prep, piano teaching, and even piano blogging. Its been quite an eyeopener to have some actual data on how much time I spend on various tasks during the day. I find some tasks take quite a bit longer than I realized and others a lot less time. However, the most important thing is that I'm looking at the data and making decisions about how I spend my time and that makes me more productive. Of course, it also means that I am more addicted to my phone than ever.